Rather than do a Film Friday review, I thought I'd just take a look at what the film landscape has been like this year and what lies ahead as we get into the good season.
My top 5 films so far are as follows:
1) Guardians of the Galaxy
2) The Lego Movie
3) Captain America: The Winter Soldier
4) Gone Girl
5) X-Men: Days of Future Past
The year has been dominated by the superhero genre, in part because of just how much better Guardians of the Galaxy and the Captain America sequel were than most people expected. The Lego Movie has been the surprise of the year so far. I went into it with minimal expectations and came out loving it. When a movie (or book) surpasses the expectation, I tend to give it a bump in the ratings. Would I give Guardians the Best Picture Oscar over Gone Girl? No. Did it exceed expectations more than Gone Girl did? Absolutely.
But as good as those five films are, we've had an unusually high number of films that were less than stellar. I went with friends to The Expendables 3 expecting nothing and found myself underwhelmed. Amazing Spider-Man 2 and Maleficent were easily the two biggest disappointments of the year. I thought Godzilla was just okay and unintentionally hilarious in some scenes.
Based on the upcoming fall and holiday slate, I fully expect my top 10 to look radically different come January. In terms of other book-based movies, The Fault in Our Stars is in the top 10, but Divergent missed the cut. Frankly, I thought Divergent could have been trimmed, but it was by no means the worst adaptation of the year. That honor belongs to Maleficent. Audiences can tell when a script or book is written scattershot (this summer's Amazing Spider-Man 2 is a textbook example of how not to create a superhero movie — and audiences promptly blasted it online for its shoddy plot). Guardians, Lego and Gone Girl were the total opposite and very well composed. Other factors I look at include the acting, the level of anticipation vs. the payoff and memorable dialogue. In these categories, all five of the top films delivered.
Comparative to last year, I think the quality is down. We had an amazing October last year (Gravity, Captain Phillips and 12 Years a Slave were released in back-to-back-to-back weeks) after a decent summer. Because some films underwhelmed in public opinion this summer, the market feels more down than it probably is. I don't think we're going to get that same kick in quality we got this time last year until late November.
As far as upcoming films go, the schedule is dominated by Christopher Nolan's Interstellar. Arguably the most important movie to come out of Hollywood in years and my No. 1 overall most anticipated of the entire year, the film could allow certain filmmakers to pursue original projects. Audiences like to rip the industry for running out of ideas and at times, that pessimism is warranted (Exhibit A: The Transformers series). If Interstellar is as good as it looks, audiences and the industry as a whole could get a lasting ripple effect of quality, original films that tout ideas and make viewers think rather than cater to the lowest common denominator.
Other films I'm dying to see are Unbroken and Big Hero 6. I'll do a more detailed look at the holiday slate as it gets closer, but now it's your turn: What was your favorite movie this year so far? Is there one you're looking forward to later this year?
Marriage woes are nothing new to a novel, but Gillian Flynn's Gone Girl puts them in an even more sinister light. When I delved into the book in early September, I knew it was going to be a dark and twisty ride, but the characters are truly some of the more despicable I've seen on the page in recent memory.
Flynn is an excellent writer and wrote with a sense of authority on how the media would cover something like the disappearance of Amy Dunne and the accusations mounting against her husband, Nick. The details are impeccable, down to Rebecca, the crime blogger looking for a career-changing interview and the police detectives. Several of the side characters are genuinely likable, particularly Go and Tanner Bolt, Nick's sister and defense lawyer, respectively. Between the lead characters and Go, she is easily the sanest of the three and has dialogue reflective of what the reader would think or ask during situations.
One of the biggest problems I had with the book was that I never bought the characters truly ever loving each other. All of their interactions seemed to be skin-deep or making some funny and snide comment about a party crowd or society in general. Every married couple I know has some deep connection, whether it be through religion, shared interests, similar lifestyles, etc. I never saw that in Nick and Amy. As the book progressed, my predominant thought usually bounced back and forth between "These two should have never gotten together" and "These guys actually liked each other enough to marry?"
Overall, I thought the book was good, but not the rave that many critics viewed it as when the novel debuted in 2012 (just look on the paperback's back cover for the effusive praise). Again, as was the case with The Fault in Our Stars and The Emerald Mile, perhaps I came in with unrealistic expectations. I'd rate it 2.5/5 stars.
The movie is very well-made, a testament to director David Fincher and Flynn's screenplay. The dialogue is just as sharp as in the book and the characters are a bit more believable, especially the two leads. During the movie, there was never any point when I thought, "That would never happen" or "That's completely not from the book." In other words, the novel's adaptation nipped and tucked at sections of the book, rather than a full-scale amputation of key parts. I thought the movie also tried to make the connection between Amy and Nick pre-marriage stronger. I fully expect the movie to be in the Oscar conversation, especially Rosamund Pike as the missing wife, Fincher as director and for Flynn's screenplay. I do think it can get into the Best Picture race nearly on the strength of Fincher, Affleck and Pike alone, but I doubt it'll take home the trophy. I'd rate it 4/5 stars.
*Be advised, the rest of the review contains spoilers, so consider yourself warned.*
Despite the great twist of Amy framing Nick and her expressing how she would frame him for her disappearance and murder, the novel lost steam for me when Amy was robbed at the backwoods motel. Once that happened, I thought for sure she was going to head back to her husband, but since that happens three-quarters of the way through the book, the rest of it felt like going through the proverbial motions to get to the ending. I did not expect Desi to meet the horrible death of getting his throat sliced that he does (in the movie, it is a very gross and horrible death, whereas the book is less graphic in its description). Frankly, I much preferred the novel's way of handling it and that scene was a detractor for me in the film. Also, Rebecca and Betsy Bolt, Tanner's wife, were cut entirely from the movie. It would have been nice to see Betsy on screen to act as a contrast to Nick and Amy's shattered relationship. However, Tanner's classic line at the end of the book was directly transferred to the screen and got an uproarious laugh during the screening I went to.
Did you read and or see Gone Girl? What did you think?
The fall movie season has historically been one lined with awards contenders, but this year, the autumn months will also be stuffed to the brim with book-to-film adaptations.
The Maze Runner (U.S. theatrical release: Sept. 19)
The era of young adult dystopian adaptations continues with this adaptation of the James Dashner novel, starring Dylan O'Brien from MTV's Teen Wolf series in the lead role. The plot is more solitary than Divergent or The Hunger Games, though, as a group of teens try to escape from the middle of a giant maze they've been trapped inside. According to reports, the film only cost studio 20th Century Fox $30 million for its budget. For comparison, Fox's summer adaptation of John Green's The Fault in Our Stars has gone on to gross more than $280 million worldwide on a $16 million budget, crazy low by summer blockbuster standards. The producers of "Stars" are also shepherding this project and seem to have their finger on the pulse of these young adult adaptations in what I'm sure Fox is hoping becomes a franchise. The newest trailers show a lot of promise.
This is Where I Leave You (Sept. 19)
Writer Jonathan Tropper wrote the screenplay and produced this adaptation of his 2009 bestseller about a family sitting Shiva, a Jewish mourning ritual, in the wake of the death of the patriarch. With an all-star cast led by Jason Bateman, Jane Fonda, Tina Fey and Adam Driver among others, the film has made some alterations from the novel (the family's last name is now Altman, not Foxman like in the book), but with Tropper writing the script I wouldn't expect any dramatic changes from the source material.
A Walk Among the Tombstones (Sept. 19)
Based on a 1992 book by Lawrence Block, the film follows private detective Matthew Scudder as he tries to find the missing wife of a drug dealer. According to reports, Block has said star Liam Neeson is an ideal choice to play Scudder, even going so far as to tell The Wrap, "My book's in good hands." However, the trailer has already framed the movie as a "Taken"-style revenge thriller. At a recent movie screening, a friend of mine who is unaware of the book turned to me after watching the trailer and said, "That one's a renter." Judge for yourself and take a look at the trailer:
Gone Girl (Oct. 3)
The cast of this film is outstanding (Ben Affleck, Rosamund Pike, Neil Patrick Harris), the script is being written by Gillian Flynn herself, and David Fincher is directing. Sounds like an awfully good combination. Given the book's narrative structure of bouncing back and forth between the perspectives of husband Nick and wife Amy, it isn't surprising that the film will deviate from it, though rumors are swirling that the ending is being re-tooled as well. Any way Flynn does it, the book is in very capable hands and it wouldn't surprise me if the movie is both a box office hit (budget of only $50 million) and an Oscar contender.
Left Behind (Oct. 3)
I admit it, I read most of the Left Behind series when I was in junior high and early high school. I lasted to book 9, Desecration, out of the initial 12 books before I opted not to continue. When the first film adaptation came out, starring former Growing Pains star Kirk Cameron, it was a cheeseball movie. Given that the premise of the series, two authors' fictionalized opinions about how the Book of Revelation could unfold, can be seen by some as cheesy or goofy to begin with, enlisting Nicolas Cage as Rayford Steele was probably not the best call. Having said that, the supporting cast is a bit better than I thought it would be.
Alexander and the Terrible, Horrible, No Good, Very Bad Day (Oct. 10)
In what figures to be a heavily reworked version of Judith Viorst's 1972 classic, Steve Carell and Jennifer Garner star in a comedy about a boy's horrible day. In the book, Alexander wakes up with bubble gum in his hair and his day gets progressively worse, but in the film's trailer, the hijinks are leveled on the other family members. I remember reading the book as a child and have been split on whether or not to see this one.
Big Hero 6 (Nov. 7)
Very loosely based on the Marvel Comics team that debuted in 1998 and was later the subject of a 2008 miniseries, this animated film has already garnered a following online with its trailers and clips. A boy and his robot companion venture into a world of superheroes as a villainous figure tries to take over San Fransokyo, a colorful mashup of San Francisco and Tokyo. If you're going into this film with the hopes of an Avengers cameo, the director told Total Film this summer that the universe of Big Hero 6 would act as a stand-alone world separate from the other Marvel films. The movie is one of the top five films I'm most looking forward to for the rest of the year. Here's the latest clip, which debuted Sunday during a "Frozen" special on ABC:
Rosewater (Nov. 7)
Based on the 2011 memoir Then They Came for Me by Maziar Bahari, the film tells Bahari's story of being held captive by the Iranian government for more than 100 days after the 2009 election. The film has been getting buzz for being directed by Jon Stewart of "The Daily Show" fame, but the film's crew and subject matter suggest a good movie as well and apparently critics have given it generally favorable reviews after debuting last week at the Telluride Film Festival in Colorado (current Rotten Tomatoes rating is 89%).
The Theory of Everything (Nov. 7)
Despite the title, the movie is not necessarily based on Stephen Hawking's 1983 book, but rather on his wife's memoir Travelling to Infinity. Starring Eddie Redmayne, who was last seen by most audiences as Marius in the excellent 2012 adaptation of Les Miserables, and Felicity Jones, the film will show Redmayne as theoretical physicist Stephen Hawking during his time studying at Cambridge, falling in love and being diagnosed with a motor neuron disease. The movie is set to debut this weekend at the Toronto International Film Festival. Here is the trailer, which debuted to big Internet buzz last month:
Is there a film based on a book you are most looking forward to this fall?
As summer breathes its last gasp and the calendar turns to September, a new month of reading begins. When I read, I typically do two books a month that have some sort of shared theme or topic. For example, I focused on my birth state of Arizona last month by reading Kevin Fedarko's The Emerald Mile and Jeff Guinn's The Last Gunfight. Mile tells the story of a Grand Canyon river guide who uses a torrential runoff to slingshot his boat into the record books. Gunfight tries to discern myth from fact in a retelling of what really happened at the Gunfight at the O.K. Corral, most recently popularized in the 1993 film Tombstone. Because I finished a bit early, I managed to slip Robin Sloan's Mr. Penumbra's 24-Hour Bookstore under the wire as a free choice before the month's end.
This month, the theme is, more or less, bestseller fiction, starting with Gillian Flynn's mega bestseller Gone Girl from Crown. A wife goes missing and all signs point to the husband as the prime suspect. As he is scrutinized from nearly every angle, investigators realize this marriage was less than happy. I normally don't read books as dark as Gone Girl, but I'm anticipating the upcoming film version, set for release on October 3. I loved director David Fincher's work in "The Social Network" and "The Curious Case of Benjamin Button" and the cast for Gone Girl is stellar. The film, as with most fall releases, has Oscar buzz around it.
Later this month, I'll be delving into the world of Ready Player One by Ernest Cline, also from Crown. Set in a dystopian future, the book follows a man desperate to flee the real world for a virtual one, the OASIS. When inside, he stumbles upon a series of puzzles from the founder, who apparently has a penchant for 1980's references. The real and virtual worlds eventually collide. The book has been said to have elements of the Harry Potter series and The Matrix, so it's right up my alley. Most people I've talked to about the book rave about it and it has a 4.3 rating right now on Goodreads, so it's been well-received from a variety of readers.
What are you looking forward to reading this month?
Comparative to last year, I think the quality is down. We had an amazing October last year (Gravity, Captain Phillips and 12 Years a Slave were released in back-to-back-to-back weeks) after a decent summer. Because some films underwhelmed in public opinion this summer, the market feels more down than it probably is. I don't think we're going to get that same kick in quality we got this time last year until late November.
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